We drove right over to her place on Massachusetts
Avenue, a route I knew a bit because our tour buses always used it on the many annual
trips our Aurora eighth graders took to the Nation’s Capital. (Chaperoning
those trips, I learned that a mile on a bus loaded with eighth graders is
different from a mile with Joyce.)
Betty answered the door, invited us in, and we
immediately noticed how dim she kept her lights. It didn’t take long to figure
out the reason: Framed on her walls were some priceless objects, including a
letter in the hand of—and signed by—Mary W. Shelley. (Bright lights can cause
fading.) Trying not to drool, I looked around and expressed my envy and
admiration. And realized that what was on her walls probably exceeded in value
my entire “estate.”
We sat down, had coffee, and talked about Mary Shelley
and what I was up to. Joyce later said that it reminded her of a dance, a dance
in which the woman (Betty) was trying steps on the man (Danny) to see how he
would respond—to see if he was worthy. Apparently, I must have responded all
right because the hour or so ended with great amity, with vows to stay in
touch, with promises of various sorts—all of which both of us kept.
Here’s one exchange I remember, but a bit of
background first. On February 22, 1815, Mary, 17, delivered a daughter, which means
(employing the nine-month rule!) that they had “done it” not long after their
initial meetings back in May of 1814—before
their dash to Europe in company with her step-sister Claire Clairmont. But the
evidence suggests it was a premature birth—perhaps a seven-month child—and she lived
only about two weeks.
The first Mary Shelley biography I’d read, back in
January 1997 (as I’ve said), was Emily Sunstein’s Mary Shelley: Romance and Reality (1989). Sunstein says that Mary “possibly
meant to name her Mary Wollstonecraft Godwin III” (97). Anyway, I had a couple
of questions for Betty about this infant.
How did Sunstein
know what Mary intended to name the child?
Do we know where
is the infant buried?
When I asked these things, Betty’s eyes lit. “I warned
Emily about that,” she said. “There’s no evidence about the name.” And then—“No one knows where she lies, though
I have some ideas.” I would not learn what those ideas were. Although Betty
would prove to be a very generous scholar and friend—answering all kinds of
questions, sharing all sorts of information and informed speculation—she was
not yet ready for that kind of trust. Can’t say that I blame her.
Scholars can be very careful about what they share—especially
before they publish their findings. Earle Labor (the Jack London scholar I
mentioned) once trusted me with an amazing and emotional story about a young
Stanford student named Anna Strunsky, who had been one of London’s early loves—and
had even co-written an epistolary book with him on the subject of love, The Kempton-Wace Letters (1903—the same
year as The Call of the Wild).
Anyway, London married someone else (then divorced and
married again), but Anna, who married William English Walling, never forgot
London. Here’s what Earle wrote in his recent biography: “Though she married
William English Walling …, she carried a miniature portrait of Jack in her
wallet for the rest of her life” (167). This Earle had learned from her daughter
in an interview.
When Earle told me that story, I was working on my YA
biography of London. He asked me not to use the information. I didn’t. But oh did I want to!
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