I had pretty much forgotten about my original note—I
mean, I’d not forgotten that I’d written to her; I just figured that she was a
lot busier than I and had better things to do than to reply to a random email
from a retired eighth-grade English teacher in Aurora, Ohio. She was Betty T.
Bennett, after all … and I …?
But her note was kind. She apologized for taking so
long (though she offered no excuse) and said it is always special to hear from someone who found her work useful.
And then she made a mistake: She asked me a couple of
questions: How is your project going …? And:
By the way, where are you located?
Ask me questions, and you get replies.
I replied the same day—only about an hour later, in
fact. I sent her a massive note, one
in which I trotted out some Big Guns (my two brothers). I told her that my
younger brother, Dave, had published books with the Harvard Business School
Press; I told her that my older brother, Richard, was the music critic for the Boston Globe. I told her, again, about my Jack London books; I outlined
for her my self-imposed deadlines—finishing the research, traveling to Europe
to see the important places in Mary’s story, starting to write the text.
I wrote a thick paragraph, as well, about Joyce and
her scholarly and writing interests. And in a final paragraph (a small one with
a presumptuous message) I asked her something that I had no business asking—not
someone of her stature, not so early in our correspondence. May I send you my bibliography, I asked,
& ask if you see any glaring
omissions? Anything I simply must consult before I proceed?
I think if I had been Betty Bennett, that would have ended all
correspondence. And it pretty much did. She did not reply.
On March 17, 1999—three months later—I wrote again to
tell her I was heading to Europe to visit Shelley sites. I asked her if she
knew of any comprehensive list of the
places the Shelleys had lived, places that are still standing. She wrote back the
same day—told me she knew of no such list but wished me happy hunting.
I will mention here that in her first note to me she
had said that she was at work on her Shelley biography for Harvard University
Press. At the time, I read this as kind of a warning (Don’t try to fool me with the “YA” stuff … I’ve already got a contract
with a Biggie Press), but as I re-read her note more than fifteen years
later, I detect nothing of the sort. But, of course, my attitudes about Betty
are now much different. At the time she first wrote to me, we didn’t know each
other at all, but as the next few years passed, much would change.
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